Beyond Bad Behavior
Too often writers treat extreme subjects simply to get our attention–gee, imagine a writer wanting attention–or to misdirect it from literary defects. But Gaitskill seems to have a vision rather than a career agenda. Her characters do their share of plain and fancy coupling, but her true subject is their essential disconnectedness and their sometimes pathetic, sometimes heroic solitude. Much of what happens between her people is suggested in a single sentence in the story “Orchid,” about a womanizer’s unhappy girlfriends: “They would look at Patrick as if calmly measuring the distance between him and them, as if they knew that his little area of private space was closed to them, but that was all right because they had their own little area they were planning to go back to once they got what they came for–although of course it often didn’t work out that way....